{"id":951,"date":"2011-08-24T12:29:09","date_gmt":"2011-08-24T09:29:09","guid":{"rendered":"http:\/\/www.gokhanyorgancigil.com\/?p=951"},"modified":"2017-05-11T23:26:24","modified_gmt":"2017-05-11T20:26:24","slug":"film-teorileri-uzerine-bir-siniflandirma-calismasi","status":"publish","type":"post","link":"https:\/\/www.gokhanyorgancigil.com\/?p=951","title":{"rendered":"Film Teorileri \u00dczerine Bir S\u0131n\u0131fland\u0131rma \u00c7al\u0131\u015fmas\u0131"},"content":{"rendered":"<p>1- KLAS\u0130K F\u0130LM TEOR\u0130S\u0130<\/p>\n<dl class=\"wp-caption alignright\" style=\"width: 161px;\">\n<dt class=\"wp-caption-dt\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blog.aplusa.org.uk\/wp-content\/uploads\/aplusa.org.uk\/2008\/12\/essays-on-film-theory.png\" alt=\"Film Teorileri\" width=\"151\" height=\"185\" \/><\/dt>\n<\/dl>\n<p>(a) Kurgucular (Rudolf Arnheim, Sergei Eisenstein, vs.)<br \/>\n(b) Ger\u00e7ek\u00e7iler (Andr\u00e9 Bazin, Siegfried Kracauer, vs.)<\/p>\n<p>2- MODERN F\u0130LM TEOR\u0130S\u0130<\/p>\n<p>(a) Film semiyoti\u011fi (Christian Metz: <em>Film Dili, Dil ve Sinema<\/em>)<br \/>\n(b) Post-Yap\u0131sal Film Teorisi (2.semiyotik ya da psikosemiyotik olarak da bilinir): Marksist ve psikoanalitik film teorisi. Stephen Heath, Colin MacCabe, Metz <em>The Imaginary Signifier<\/em> Jean-Louis Baudry, Raymond Bellour, vs. 2a\u2019dan 2b\u2019ye d\u00f6n\u00fc\u015f\u00fcm \u00c9mile Benveniste\u2019nin lingustik \u00e7al\u0131\u015fmalar\u0131n\u0131 temel alan \u0130fade Teorileri (*) ile olur.<\/p>\n<p>3- B\u0130L\u0130\u015eSEL F\u0130LM TEOR\u0130S\u0130<br \/>\nDavid Bordwell, Noel Carroll, Edward Branigan, Joseph Anderson, Torben Grodal, Ed Tan, Murray Smith<\/p>\n<p>4- B\u0130L\u0130\u015eSEL F\u0130LM SEM\u0130YOT\u0130\u011e\u0130 (2a\u2019dan geli\u015ftirimi\u015ftir)<br \/>\n(a) Yeni \u0130fade Teorileri (*) (Francesco Casetti, Metz <em>The Impersonal Enunciation<\/em>)<br \/>\n(b) Semiyo-pragmatik film. (Roger Odin)<br \/>\n(c) D\u00f6n\u00fc\u015f\u00fcmsel \u00fcretken gramer ve bili\u015fsel film semanti\u011fi (Michel Colin, Dominique Chateau)<\/p>\n<p>(*): Theory of enunciation<br \/>\n<span style=\"color: #888888;\"><em><a href=\"http:\/\/assets.cambridge.org\/97805217\/80056\/excerpt\/9780521780056_excerpt.pdf\" target=\"_blank\">Warren Buckland, The Cognitive Semiotics of Film<\/a>&#8216;den&#8230;<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1- KLAS\u0130K F\u0130LM TEOR\u0130S\u0130 (a) Kurgucular (Rudolf Arnheim, Sergei Eisenstein, vs.) (b) Ger\u00e7ek\u00e7iler (Andr\u00e9 Bazin, Siegfried Kracauer, vs.) 2- MODERN F\u0130LM TEOR\u0130S\u0130 (a) Film semiyoti\u011fi (Christian Metz: Film Dili, Dil ve Sinema) (b) Post-Yap\u0131sal Film Teorisi (2.semiyotik ya da psikosemiyotik olarak da bilinir): Marksist ve psikoanalitik film teorisi. Stephen Heath, Colin MacCabe, Metz The Imaginary [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[248,249],"tags":[75,57,37,72,34,387],"class_list":["post-951","post","type-post","status-publish","format-standard","hentry","category-cesitli","category-sinema-tv","tag-elestiri","tag-film-incelemesi","tag-film-yapimi","tag-sanat-felsefesi","tag-sinema","tag-warren-buckland"],"_links":{"self":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=951"}],"version-history":[{"count":9,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions"}],"predecessor-version":[{"id":2091,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/951\/revisions\/2091"}],"wp:attachment":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}