{"id":885,"date":"2011-04-21T16:45:52","date_gmt":"2011-04-21T13:45:52","guid":{"rendered":"http:\/\/www.gokhanyorgancigil.com\/?p=885"},"modified":"2017-05-11T22:44:18","modified_gmt":"2017-05-11T19:44:18","slug":"dramatik-yazimin-kurallari-olur-mu","status":"publish","type":"post","link":"https:\/\/www.gokhanyorgancigil.com\/?p=885","title":{"rendered":"Dramatik yaz\u0131m\u0131n kurallar\u0131 olur mu?"},"content":{"rendered":"

Biz teorimizi, sonsuza dek tepki veren, neredeyse m\u00fcte\u015feddit, s\u00fcrekli bir i\u00e7 de\u011fi\u015fim i\u00e7indeki “karakter”e dayand\u0131r\u0131yoruz. Biz insan\u0131n -mesela bizzat sizin- yarad\u0131l\u0131\u015f\u0131 nedir? Her \u015feyi konu\u015fmadan \u00f6nce bunu konu\u015fmal\u0131y\u0131z. Bu konuda bilimsel bilgilere de ihtiyac\u0131m\u0131z olacak.<\/p>\n

Bir in\u015faat yapan kimse, \u00e7al\u0131\u015ft\u0131\u011f\u0131 malzemeyi tan\u0131m\u0131yorsa bu bir felaketle sonu\u00e7lanabilir. Bizim alan\u0131m\u0131zda bu malzeme “ama\u00e7”, “karakter” ve “\u00e7at\u0131\u015fma”d\u0131r. Bunlar\u0131 bilmeden dramatik bir metin (bir senaryo, bir piyes vs.) yazma i\u015fi hakk\u0131nda konu\u015fmak faydas\u0131z olacakt\u0131r.<\/p>\n

\"Winslow
Winslow Boy<\/figcaption><\/figure>\n

\u0130\u00e7g\u00fcd\u00fc, bir adam\u0131n, bir ya da bir ka\u00e7 kez bir \u015faheser yazmas\u0131na \u00f6nc\u00fcl\u00fck edebilir, fakat bilgiden yoksun i\u00e7g\u00fcd\u00fc s\u0131kl\u0131kla ba\u015far\u0131s\u0131zl\u0131k do\u011furur.<\/p>\n

Aristo, “en \u00f6nemli \u015fey hayat ve davran\u0131\u015flar\u0131n yap\u0131s\u0131d\u0131r, insanlar\u0131n yap\u0131s\u0131 de\u011fil” dese de, karakterin \u00f6nemini inkar etse de, \u00e7ok say\u0131da d\u00fc\u015f\u00fcn\u00fcr, dramatik yaz\u0131mda karakterin \u00f6nemine vurgu yapm\u0131\u015ft\u0131r. 16.yy. \u0130spanyol drama yazar\u0131 Lope de Vega:<\/p>\n

\u0130lk perdede sahne, hikaye kurulur, ikinci perdede olaylar bir araya getirilir, ta ki \u00fc\u00e7\u00fcnc\u00fc perdenin ortalar\u0131na kadar neler olaca\u011f\u0131 tahmin bile edilemez. Her zaman, ba\u015flang\u0131\u00e7ta vadedilenden farkl\u0131 ama anla\u015f\u0131labilir, \u015fa\u015f\u0131rt\u0131c\u0131 bir numara, bir s\u00fcrpriz beklentisi vard\u0131r.<\/em><\/p>\n

Alman ele\u015ftirmen ve oyun yazar\u0131 Lessing;<\/p>\n

Kurallar\u0131n s\u0131k\u0131 s\u0131k\u0131ya g\u00f6zetilmesin karakterdeki en k\u00fc\u00e7\u00fck hatadan daha a\u011f\u0131r olamaz<\/em><\/p>\n

Frans\u0131z oyun yazar\u0131 Corneille;<\/p>\n

Sanat olal\u0131 beri draman\u0131n kesin, kemikle\u015fmi\u015f yasalar\u0131 vard\u0131r, fakat bu yasalar\u0131n ne oldu\u011fu kesin de\u011fildir.<\/em><\/p>\n

Bunlar gibi bazen birbirleriyle \u00e7eli\u015fen, \u00e7ok say\u0131da d\u00fc\u015f\u00fcnceyle kar\u015f\u0131la\u015fabilirsiniz. Baz\u0131lar\u0131 olduk\u00e7a ileri giderek dramatik yazarl\u0131kta hi\u00e7 bir kural-ilke vs. olamayaca\u011f\u0131n\u0131 iddia etmi\u015flerdir. En ilginci de budur. Biz biliyoruz ki yerken, y\u00fcr\u00fcrken hatta nefes al\u0131rken bile baz\u0131 kurallar vard\u0131r. Resim, m\u00fczik, dans gibi ya da k\u00f6pr\u00fcler, binalar in\u015fa etmek gibi hayat\u0131n ve tabiat\u0131n her alan\u0131nda ilkeler vard\u0131r.Yazmak neden bir istisna olsun?<\/p>\n

Lajos Egri – The Art of Dramatic Writing’ten…<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Biz teorimizi, sonsuza dek tepki veren, neredeyse m\u00fcte\u015feddit, s\u00fcrekli bir i\u00e7 de\u011fi\u015fim i\u00e7indeki “karakter”e dayand\u0131r\u0131yoruz. Biz insan\u0131n -mesela bizzat sizin- yarad\u0131l\u0131\u015f\u0131 nedir? Her \u015feyi konu\u015fmadan \u00f6nce bunu konu\u015fmal\u0131y\u0131z. Bu konuda bilimsel bilgilere de ihtiyac\u0131m\u0131z olacak. Bir in\u015faat yapan kimse, \u00e7al\u0131\u015ft\u0131\u011f\u0131 malzemeyi tan\u0131m\u0131yorsa bu bir felaketle sonu\u00e7lanabilir. Bizim alan\u0131m\u0131zda bu malzeme “ama\u00e7”, “karakter” ve “\u00e7at\u0131\u015fma”d\u0131r. Bunlar\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[135,75,243,64,72,36,66],"class_list":["post-885","post","type-post","status-publish","format-standard","hentry","category-senaryo","tag-drama","tag-elestiri","tag-lajos-egri","tag-oyku","tag-sanat-felsefesi","tag-senaryo-yazarligi","tag-tiyatro"],"_links":{"self":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=885"}],"version-history":[{"count":4,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/885\/revisions"}],"predecessor-version":[{"id":1804,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/885\/revisions\/1804"}],"wp:attachment":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}