{"id":629,"date":"2010-03-29T14:02:23","date_gmt":"2010-03-29T11:02:23","guid":{"rendered":"http:\/\/www.gokhanyorgancigil.com\/?p=629"},"modified":"2017-05-11T20:27:30","modified_gmt":"2017-05-11T17:27:30","slug":"pygmalion-kompleksi","status":"publish","type":"post","link":"https:\/\/www.gokhanyorgancigil.com\/?p=629","title":{"rendered":"Pygmalion Kompleksi"},"content":{"rendered":"<figure style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\" \" src=\"http:\/\/farm3.static.flickr.com\/2773\/4473077090_6f29f44140_o.jpg\" alt=\"Sanat\u00e7\u0131 ve eseri. Pygmalion ve Galatea\" width=\"600\" height=\"221\" \/><figcaption class=\"wp-caption-text\">Sanat\u00e7\u0131 ve eseri. Pygmalion ve Galatea. A\u015fk ya da tap\u0131nma?<\/figcaption><\/figure>\n<p>Bir heykelt\u0131ra\u015f olan K\u0131br\u0131s prensi <a href=\"http:\/\/en.wikipedia.org\/wiki\/Pygmalion_%28mythology%29\" target=\"_blank\">Pygmalion<\/a>, ideal kad\u0131n\u0131 temsil eden fildi\u015finden bir heykel yapar ve Galatea ad\u0131n\u0131 verir. Galatea o kadar g\u00fczeldir ki, Pygmalion ona a\u015f\u0131k olur, tanr\u0131\u00e7a Ven\u00fcs\u2019e ona hayat vermesi i\u00e7in yalvar\u0131r. Ven\u00fcs onun iste\u011fini kabul ederek Galatea&#8217;y\u0131 canland\u0131r\u0131r; Pygmalion ile insan olan heykeli mutlu bir a\u015fk ya\u015farlar.<\/p>\n<p>Heykeltra\u015f Pygmalion&#8217;un i\u00e7ine girdi\u011fi bu duygulan\u0131m psikoloji ve sosyolojide belirli bir durumu temsil etmek i\u00e7in kullan\u0131lagelmi\u015ftir. Buna beklenti etkisi ya Pygmalion etkisi diyenler mevcut. Ki\u015finin, bir s\u00fcre sonra ba\u015fkalar\u0131n\u0131n (\u00f6zellikle herhangi bir yan\u0131yla kendinden \u00fcst\u00fcn g\u00f6rd\u00fc\u011f\u00fc insanlar\u0131n) ona ili\u015fkin beklentilerine denk d\u00fc\u015fen davran\u0131\u015flar sergilemesi \u015feklinde a\u00e7\u0131klanabilir. Ba\u015flang\u0131\u00e7ta ger\u00e7ekli\u011fi olmayan bir durum hakk\u0131ndaki beklentilerin ger\u00e7ekle\u015fmesine yol a\u00e7ma s\u00fcreciyle, beklenen davran\u0131\u015f\u0131n sergilenmesi sonucu, olmayan bu halin ger\u00e7e\u011fe d\u00f6n\u00fc\u015fmesi\u00a0&#8220;self fulfilling prophecy&#8221; -kendini ger\u00e7ekleyen kehanet- olarak tan\u0131mlanan bu duruma biz de farkl\u0131 bir a\u00e7\u0131dan bakmaya \u00e7al\u0131\u015fal\u0131m:<\/p>\n<p>Heykeltra\u015f Pygmalion&#8217;un kendi yonttu\u011fu fildi\u015finden nesneye a\u015f\u0131k olmas\u0131ndaki ironi, yazd\u0131\u011f\u0131 bir \u015fiire, \u00f6yk\u00fcye, senaryoya ya da \u00e7izdi\u011fi bir resme a\u015f\u0131k olan sanat\u00e7\u0131n\u0131nkiyle ayn\u0131d\u0131r. Sanat\u00e7\u0131 burada s\u00fcre \u0131rma\u011f\u0131ndan \u00e7ekip ald\u0131\u011f\u0131 bir &#8220;an&#8221;a s\u00fcreklilik atamaktad\u0131r. Bu bir bilin\u00e7alt\u0131 s\u00fcre\u00e7 midir, ya da bilin\u00e7alt\u0131 ger\u00e7ekte nedir bilemiyoruz ama bir sanat eserinin \u00fcreticisi taraf\u0131ndan kutsanmas\u0131 ard\u0131nda, sanat eserine bir ardardal\u0131k (succession) kazand\u0131rma, yani yaratma ihtiras\u0131n\u0131n yatt\u0131\u011f\u0131n\u0131 s\u00f6yleyebiliriz. Michelangelo&#8217;nun Musa heykelini bitirdikten sonra kar\u015f\u0131s\u0131na ge\u00e7ip &#8220;<em>Ey Musa konu\u015fsana, neden konu\u015fmuyorsun!<\/em>&#8221; diye hayk\u0131rmas\u0131 bunun karakteristik \u00f6rne\u011fidir.<\/p>\n<p>Fran\u00e7ois Mauriac&#8217;\u0131n ayn\u0131 konuyla ilgili olarak romanc\u0131 hakk\u0131nda s\u00f6yledikleri ilgin\u00e7tir: <em>Romanc\u0131 insanlar\u0131n aras\u0131nda Tanr\u0131&#8217;ya en \u00e7ok benzeyendir. Tanr\u0131&#8217;n\u0131n maymunudur. Canl\u0131 yarat\u0131klar do\u011furur, kaderler icat eder, bu kaderleri hadiseler ve felaketlerle dokur. <\/em>Sanat\u00e7\u0131 ile eseri aras\u0131ndaki bu ironik ve dramatik ili\u015fki, sanat ve sanat\u00e7\u0131n\u0131n niyetleriyle de yak\u0131ndan ilgilidir. Bir senaryo yazar\u0131 ise asla senaryosuna ve fikirlerine a\u015f\u0131k olmamal\u0131d\u0131r. Senaryo yazarl\u0131\u011f\u0131 esnek olmay\u0131 gerektirir. \u00c7\u00fcnk\u00fc bir senaryo, perdede yans\u0131yaca\u011f\u0131 ana kadar \u00e7ok\u00a0ki\u015finin eme\u011fi ve katk\u0131s\u0131yla geli\u015fen bir yap\u0131 olmal\u0131d\u0131r. Senaryo yazar\u0131na d\u00fc\u015fen g\u00f6rev Tanr\u0131&#8217;ya \u00f6yk\u00fcnmek olmamal\u0131d\u0131r.<\/p>\n<p>Kolaj soldan sa\u011fa:<br \/>\nAndrei Koribanics: <em>Pygmalion and Galatea<\/em><br \/>\nEdward Burnes-Jones: <em>The Soul Attains<\/em><br \/>\nFranz Von Stuck: <em>Pygmalion<\/em><br \/>\nJohann Heinrich Wilhelm Tischbein: <em>Pygmalion before the Statue of Venus<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bir heykelt\u0131ra\u015f olan K\u0131br\u0131s prensi Pygmalion, ideal kad\u0131n\u0131 temsil eden fildi\u015finden bir heykel yapar ve Galatea ad\u0131n\u0131 verir. Galatea o kadar g\u00fczeldir ki, Pygmalion ona a\u015f\u0131k olur, tanr\u0131\u00e7a Ven\u00fcs\u2019e ona hayat vermesi i\u00e7in yalvar\u0131r. Ven\u00fcs onun iste\u011fini kabul ederek Galatea&#8217;y\u0131 canland\u0131r\u0131r; Pygmalion ile insan olan heykeli mutlu bir a\u015fk ya\u015farlar. Heykeltra\u015f Pygmalion&#8217;un i\u00e7ine girdi\u011fi bu [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[248],"tags":[326,180,72,192,36,327],"class_list":["post-629","post","type-post","status-publish","format-standard","hentry","category-cesitli","tag-pygmalion-kompleksi","tag-sanat","tag-sanat-felsefesi","tag-sanatci","tag-senaryo-yazarligi","tag-tanri"],"_links":{"self":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=629"}],"version-history":[{"count":8,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/629\/revisions"}],"predecessor-version":[{"id":635,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/629\/revisions\/635"}],"wp:attachment":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}