{"id":598,"date":"2010-02-16T19:01:54","date_gmt":"2010-02-16T16:01:54","guid":{"rendered":"http:\/\/www.gokhanyorgancigil.com\/?p=598"},"modified":"2017-05-11T20:24:10","modified_gmt":"2017-05-11T17:24:10","slug":"taklit-mimesis","status":"publish","type":"post","link":"https:\/\/www.gokhanyorgancigil.com\/?p=598","title":{"rendered":"Taklit – Mimesis"},"content":{"rendered":"
\"\"
-Aristoteles-<\/figcaption><\/figure>\n

Bak\u0131n Aristo<\/a>, Poetika<\/a>‘s\u0131n\u0131n ba\u015flang\u0131c\u0131nda ne diyor:
\n“O halde epos, tragedya, komedya, dithrambos<\/a> \u015fiiri, kitara sanatlar\u0131n\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131, b\u00fct\u00fcn bunlar genel olarak taklittir.”<\/p>\n

Son bir, bir bu\u00e7uk y\u00fczy\u0131ll\u0131k k\u0131p\u0131rdanmalar\u0131 saymazsak ve Bat\u0131 sanat felsefesini derinden etkileyen tek bir kaynak ismi sayal\u0131m desek, bu herhalde Poetika olurdu. Asl\u0131nda ger\u00e7ekten de ilgin\u00e7. Evrenin bilimsel metotlarla kavran\u0131\u015f\u0131 \u00fczerine Bat\u0131 d\u00fcnyas\u0131nda \u00e7ok kereler paradigma de\u011fi\u015fikli\u011fi ya\u015fanmas\u0131na ra\u011fmen sanat felsefesi ve estetik kavray\u0131\u015f \u00fczerine k\u00f6kl\u00fc de\u011fi\u015fimlere pek rastlam\u0131yoruz. Bilimsel ve sanatsal kavray\u0131\u015flar\u0131n yery\u00fcz\u00fcndeki sosyo-politik de\u011fi\u015fimlere g\u00f6re de\u011fer kazanmas\u0131n\u0131n sonucu mudur bilinmez, ciddiye al\u0131nacak bir bak\u0131\u015f a\u00e7\u0131s\u0131 olmasa da bu kavray\u0131\u015flarda iyi ve k\u00f6t\u00fc, do\u011fru ve yanl\u0131\u015f\u0131n vehmi, sanal bir a\u011f\u0131rl\u0131\u011f\u0131 var. \u00c7in tiyatrosunu ilkel bulmak ya da afrika kabile dans\u00e7\u0131lar\u0131n\u0131 Baryshnikov<\/a>‘dan daha de\u011fersiz g\u00f6rmek, sadece sahibine ait bir cahillik asl\u0131nda. \u00dcstelik bu Baryshnikov(*) ya da Leonardo’yu de\u011fersizle\u015ftirmez de.. Akl\u0131n\u0131 g\u00fc\u00e7 ve politikayla bozanlar\u0131n sesi her zaman \u00e7ok \u00e7\u0131kar. Do\u011fulu ya da bat\u0131l\u0131 farketmez, bir bilgeyi hafif\u00e7e g\u00fcl\u00fcmsetecek bir \u00e7\u0131\u011f\u0131rtkanl\u0131kt\u0131r bu.<\/p>\n

\u015eimdi \u015fu soruyu soral\u0131m kendimize; ger\u00e7ekten sanatsal ve estetik kavray\u0131\u015f tek bir temel kavrama indirgense, bizim de varaca\u011f\u0131m\u0131z yer Poetika, yani mimesis midir?<\/p>\n

“The essence of all art is to have pleasure in giving pleasure.”
\n–Mikhail Baryshnikov <\/a>
\n<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Bak\u0131n Aristo, Poetika‘s\u0131n\u0131n ba\u015flang\u0131c\u0131nda ne diyor: “O halde epos, tragedya, komedya, dithrambos \u015fiiri, kitara sanatlar\u0131n\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131, b\u00fct\u00fcn bunlar genel olarak taklittir.” Son bir, bir bu\u00e7uk y\u00fczy\u0131ll\u0131k k\u0131p\u0131rdanmalar\u0131 saymazsak ve Bat\u0131 sanat felsefesini derinden etkileyen tek bir kaynak ismi sayal\u0131m desek, bu herhalde Poetika olurdu. Asl\u0131nda ger\u00e7ekten de ilgin\u00e7. Evrenin bilimsel metotlarla kavran\u0131\u015f\u0131 \u00fczerine […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[248],"tags":[117,219,77,108,218,72],"class_list":["post-598","post","type-post","status-publish","format-standard","hentry","category-cesitli","tag-aristo","tag-baryshnikov","tag-felsefe","tag-mimesis","tag-poetika","tag-sanat-felsefesi"],"_links":{"self":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=598"}],"version-history":[{"count":8,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/598\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/598\/revisions\/1876"}],"wp:attachment":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}