{"id":460,"date":"2009-11-17T14:36:59","date_gmt":"2009-11-17T11:36:59","guid":{"rendered":"http:\/\/www.gokhanyorgancigil.com\/?p=460"},"modified":"2017-05-11T20:04:34","modified_gmt":"2017-05-11T17:04:34","slug":"senaryon-berbat-cunku","status":"publish","type":"post","link":"https:\/\/www.gokhanyorgancigil.com\/?p=460","title":{"rendered":"Senaryon Berbat \u00c7\u00fcnk\u00fc:"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h1><em>Fikir:<\/em><\/h1>\n<p><strong>&#8211; \u00d6nemsedi\u011fin bir konuda yazm\u0131yorsun.<\/strong><br \/>\nBir fikir seni ger\u00e7ekten heyecanland\u0131rm\u0131yorsa yazmamal\u0131s\u0131n. Bir derdin olmal\u0131.<br \/>\n<strong>&#8211; Fikrin yeterince orijinal de\u011fil.<\/strong><br \/>\n1912 y\u0131l\u0131nda ilk yolculu\u011funa \u00e7\u0131kan Titanic adl\u0131 gemide birbirine a\u015f\u0131k olan iki gen\u00e7 insan\u0131n hikayesi iyi bir fikir olabilir ama orijinal de\u011fildir.<br \/>\n<strong>&#8211; Yanl\u0131\u015f t\u00fcr se\u00e7mi\u015fsin.<\/strong><br \/>\nSenaryo yazar\u0131 kendisini ve hedef kitlesini yeterince tan\u0131yor olmal\u0131, <a href=\"http:\/\/beyazperde.mynet.com\/film\/1959\/arama\/Kramer-Kramer-e-Karsi\" target=\"_blank\" rel=\"noopener noreferrer\">Kramer Kramer&#8217;e Kar\u015f\u0131<\/a> filmini yazan senaristin aile ve aile i\u00e7i ili\u015fkiler konusunda duyarl\u0131 bir insan olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnebilir misiniz?<br \/>\n<strong>&#8211; Hikayen sadece senin ilgini \u00e7ekiyor.<\/strong><br \/>\n\u00dcmraniye-\u00dcsk\u00fcdar hatt\u0131nda \u00e7al\u0131\u015fan zombi minib\u00fcs \u015fof\u00f6rlerinin sendikal haklar\u0131yla ilgili m\u00fccadelesi sana ilgin\u00e7 geliyor olabilir. Ama herkesin ilgisini \u00e7eker mi acaba?<br \/>\n<strong>&#8211; Hikayen ac\u0131nas\u0131 insanlar\u0131n ac\u0131nas\u0131 hikayelerini anlatan ac\u0131nas\u0131 bir sonla biten ac\u0131nas\u0131 bir hikaye. Ya da daha k\u00f6t\u00fcs\u00fc!<\/strong><br \/>\nFilm yapmak \u00e7ok \u00e7ok zor bir i\u015ftir. \u0130\u00e7inde y\u00fcksek fikirlerin olmad\u0131\u011f\u0131 ya da e\u011flendirmeyen ya da meraktan \u00e7atlatmayan bir hikaye yazmak&#8230; Neden?<br \/>\n<strong>&#8211; \u0130lgi \u00e7ekici bir ba\u015fl\u0131k bulmak i\u00e7in yeterince d\u00fc\u015f\u00fcnmemi\u015fsin.<\/strong><br \/>\nSenaryonuzun ba\u015fl\u0131\u011f\u0131n\u0131n senaryonuz hakk\u0131nda hi\u00e7 bir \u015fey ifade etmemesi iyi de\u011fildir ama ba\u015fl\u0131k, isim, ilk dikkat \u00e7eken \u015feydir. \u0130yi: Silence of the Lambs (Kuzular\u0131n Sessizli\u011fi) K\u00f6t\u00fc: Music and Lyrics<\/p>\n<h1><em>Karakter:<\/em><\/h1>\n<p><strong>&#8211; Ana karakterini yanl\u0131\u015f se\u00e7mi\u015fsin.<\/strong><br \/>\na-Kahraman\u0131n aktif olmal\u0131<br \/>\nb-Kahraman\u0131n\u0131n iyi tan\u0131mlanm\u0131\u015f bir problemi olmal\u0131<br \/>\nc-Kahraman\u0131n problemi seyirciye ilgin\u00e7 gelebilmeli<br \/>\nd-Kahraman kendi problemini \u00e7\u00f6zmeli<br \/>\n<strong>&#8211; Ana karakterini do\u011fru bir \u015fekilde tasarlamam\u0131\u015fs\u0131n.<\/strong><br \/>\nGeli\u015fmeye m\u00fcsait, davranmaya m\u00fcsait bir karakter yaz\u0131lmal\u0131.<br \/>\n<strong>&#8211; Karakterini kurarken, karakterin hakk\u0131nda hi\u00e7 bir \u015feye ayr\u0131nt\u0131s\u0131yla odaklanmadan dereden tepeden esinlenmi\u015fsin.<\/strong><br \/>\nKarakteriniz hasta; &#8220;Nesi var, nas\u0131l bir hastal\u0131k?&#8221;, karakteriniz \u00fczg\u00fcn; &#8220;Neden?&#8221; olabildi\u011fince spesifik tan\u0131mlamalar getirmelisiniz. \u00c7\u00fcnk\u00fc her bir ayr\u0131nt\u0131da bir \u00f6yk\u00fc gizlidir. Bu sayede karakteriniz stereotip olmaktan \u00e7\u0131kar.<br \/>\n<strong>&#8211; Karakterine ger\u00e7ek bir mekan yazmam\u0131\u015fs\u0131n.<\/strong><br \/>\nSahne 1: Ortalama bir kasaban\u0131n orta halli bir evi&#8230; B\u00f6yle bir ev yoktur. Ortalama kasaba nedir? Peki ya orta halli ev? \u0130stanbul&#8217;da bir ev ya da Kayseri&#8217;de bir ev. Her biri bize bir \u015fey anlat\u0131yor.<br \/>\n<strong>&#8211; Kahraman\u0131nda ilgimizi \u00e7eken hi\u00e7 bir \u015fey yok.<\/strong><br \/>\nKahraman\u0131n\u0131z\u0131n sempatik olmas\u0131 gerekmez. Ama onda ilgi \u00e7ekici bir \u015feyler olmas\u0131 gerekmektedir. As Good As It Gets&#8217;deki Jack Nicholson&#8217;un karakterini hat\u0131rlay\u0131n.<br \/>\n<strong>&#8211; D\u00fc\u015fmanlar\u0131n insan de\u011fil.<\/strong><br \/>\n&#8220;\u0130stanbul sen mi b\u00fcy\u00fcks\u00fcn ben mi?&#8221; Bir antagonist olarak \u0130stanbul? \u0130\u015fe yaramaz, unutun gitsin.<br \/>\n<strong>&#8211; K\u00f6t\u00fc adamlar kahraman\u0131ndan daha g\u00fc\u00e7l\u00fc de\u011fil.<\/strong><br \/>\nKahraman\u0131n\u0131n kendisini geli\u015ftirece\u011fini de hesaba katarak, en az\u0131ndan ba\u015flang\u0131\u00e7ta k\u00f6t\u00fc adam\u0131n kahram\u0131n\u0131ndan daha g\u00fc\u00e7l\u00fc olmas\u0131 gerekti\u011fini unutma<br \/>\n<strong>&#8211; D\u00fc\u015fmanlar\u0131 kahraman\u0131n\u0131n de\u011fi\u015fmesini sa\u011flayacak \u015fekilde tasarlanmam\u0131\u015f.<\/strong><br \/>\nDie Hard filminde John McClane k\u00f6t\u00fc bir evlilik yapm\u0131\u015ft\u0131r. \u0130lerleyen sahnelerde K\u00f6t\u00fc Adam Hans Gruber&#8217;in John McClaine ile kar\u0131s\u0131na neredeyse evlilik dan\u0131\u015fman\u0131 gibi davrand\u0131\u011f\u0131n\u0131 hat\u0131rlay\u0131n.<br \/>\n<strong>&#8211; K\u00f6t\u00fc Adam&#8217;\u0131n kendi filminin kahraman\u0131ym\u0131\u015f gibi davranm\u0131yor.<\/strong><br \/>\nK\u00f6t\u00fc Adam&#8217;\u0131n da yapt\u0131klar\u0131 i\u00e7in mant\u0131kl\u0131 bir sebebi olmas\u0131 gerekmektedir.<br \/>\n<strong>&#8211; K\u00f6t\u00fc Adam&#8217;\u0131n kendine has bir dil, konu\u015fma tarz\u0131 sergilemiyor.<\/strong><br \/>\nLast of the Mohicans&#8217;da nefis bir k\u00f6t\u00fc karakter olan Magua&#8217;n\u0131n konu\u015fma tarz\u0131 her \u015feyi anlat\u0131yor.<br \/>\n<strong>&#8211; Karakterlerin s\u0131rf hikaye ilerlesin diye sa\u00e7ma sapan davran\u0131yorlar, \u00e7\u00fcnk\u00fc onlar \u00e7ok &#8220;yaz\u0131lm\u0131\u015f&#8221; g\u00f6r\u00fcn\u00fcyor<\/strong><br \/>\nT\u00fcrk\u00e7ede &#8220;film icab\u0131&#8221; dedi\u011fimiz \u015fey bu i\u015fte!<br \/>\n<strong>&#8211; Yan karakterlerinin bir ki\u015fili\u011fi yok!<\/strong><br \/>\nGer\u00e7ek hayatta kar\u015f\u0131la\u015ft\u0131\u011f\u0131n\u0131z &#8220;yan karakterlerin&#8221; &#8211; \u00f6rne\u011fin bir otob\u00fcs ya da taksi \u015fof\u00f6r\u00fc &#8211; sizce ki\u015fili\u011fi yok mu?<\/p>\n<p><em>William M. Akers&#8217;\u0131n Your Screenplay Sucks isimli kitab\u0131ndan<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Fikir: &#8211; \u00d6nemsedi\u011fin bir konuda yazm\u0131yorsun. Bir fikir seni ger\u00e7ekten heyecanland\u0131rm\u0131yorsa yazmamal\u0131s\u0131n. Bir derdin olmal\u0131. &#8211; Fikrin yeterince orijinal de\u011fil. 1912 y\u0131l\u0131nda ilk yolculu\u011funa \u00e7\u0131kan Titanic adl\u0131 gemide birbirine a\u015f\u0131k olan iki gen\u00e7 insan\u0131n hikayesi iyi bir fikir olabilir ama orijinal de\u011fildir. &#8211; Yanl\u0131\u015f t\u00fcr se\u00e7mi\u015fsin. Senaryo yazar\u0131 kendisini ve hedef kitlesini yeterince tan\u0131yor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[258,42,35,36,299],"class_list":["post-460","post","type-post","status-publish","format-standard","hentry","category-senaryo","tag-fikir","tag-karakter","tag-senaryo","tag-senaryo-yazarligi","tag-william-m-akers"],"_links":{"self":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=460"}],"version-history":[{"count":16,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/460\/revisions"}],"predecessor-version":[{"id":2036,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/460\/revisions\/2036"}],"wp:attachment":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}