{"id":277,"date":"2009-09-01T14:26:48","date_gmt":"2009-09-01T11:26:48","guid":{"rendered":"http:\/\/www.gokhanyorgancigil.com\/?p=277"},"modified":"2017-05-11T19:22:47","modified_gmt":"2017-05-11T16:22:47","slug":"bir-senaryoda-karakterleri-dogru-yazmak","status":"publish","type":"post","link":"https:\/\/www.gokhanyorgancigil.com\/?p=277","title":{"rendered":"Bir senaryoda karakterleri do\u011fru yazmak"},"content":{"rendered":"
\""mon-key,<\/a>
“mon-key, mon-key”<\/figcaption><\/figure>\n

1- Karakter merkezli bir senaryoda karakter (\u00f6zellikle ana karakterler) statik ve de\u011fi\u015fmez de\u011fildir. Devaml\u0131 bir olu\u015fum – de\u011fi\u015fim i\u00e7indedir. De\u011fi\u015fken, dinamik bir karakter kendi i\u00e7indeki \u00e7ok say\u0131da sese kulak veren, kendine ait bir ge\u00e7mi\u015fi olan, ihtiya\u00e7lar\u0131, tarz\u0131, hayata bak\u0131\u015f\u0131 olan bir varl\u0131kt\u0131r.
\nKarakterin birileri taraf\u0131ndan “yaz\u0131lm\u0131\u015f” gibi durmay\u0131p canl\u0131 kanl\u0131 olmas\u0131n\u0131n yegane yolu budur. O art\u0131k canl\u0131 bir varl\u0131kt\u0131r kendi arzular\u0131, ihtiraslar\u0131, zaaflar\u0131 olan ba\u011f\u0131ms\u0131z br yarat\u0131kt\u0131r.<\/em><\/p>\n

2- Karakter merkezli senaryo risk al\u0131r. Yani \u015fans\u0131n\u0131 dener.
\nYeni ve bilinmeyen bir alana giren her \u00e7al\u0131\u015fma risk al\u0131r. Senaryo yazmak sonu\u00e7lar\u0131 \u00f6nceden kestirilebilen bir \u00e7al\u0131\u015fma de\u011fildir. Seyircinin verece\u011fi tepkileri kestirmek imkans\u0131zd\u0131r. Tahminden \u00f6teye ge\u00e7emez.<\/em><\/p>\n

3- Karakter merkezli senaryoda seyirci ve karakterler zor ve \u00e7at\u0131\u015fan ahlaki kararlar almak zorunda kal\u0131rlar ya da bu tercihleriyle y\u00fczy\u00fcze olurlar.
\nSenaristin g\u00f6revi: Karakterleri zor durumda b\u0131rakmak, tercih yapmaya itmek, i\u00e7inden \u00e7\u0131k\u0131lmas\u0131 zor duygusal ya da fiziksel bir \u00e7at\u0131\u015fman\u0131n ortas\u0131na atmak; do\u011fru ile yanl\u0131\u015f, iyi ile k\u00f6t\u00fcn\u00fcn aras\u0131nda bocalamas\u0131n\u0131 sa\u011flamak…
\n<\/em>
\n4- Karakter merkezli senaryolar genellikle al\u0131\u015f\u0131lageldik Hollywood kli\u015felerini y\u0131karlar. S\u00f6zde “senaryo kurallar\u0131”n\u0131 hi\u00e7e sayarlar.
\n\u00d6nceden tahmin edilebilir olmak demek seyircinin senaristten bir ka\u00e7 ad\u0131m \u00f6nde olmas\u0131 demek de\u011fil midir? O halde neden senarist vard\u0131r?
\n<\/em>
\n5- Karakter merkezli senaryo, seyircinin ve karakterlerin anlayabilece\u011fi ve tan\u0131mlayabilece\u011fi t\u00fcrde temel karakteristik \u00f6zelliklerden ve deneyimlerden g\u00fc\u00e7l\u00fc bir \u015fekilde etkilenir.
\nSenaryonun insan do\u011fas\u0131na ait temel \u00f6zelliklerden yola \u00e7\u0131k\u0131larak yaz\u0131lmas\u0131 gerekir ki hem karakter, hem karakteri canland\u0131racak oyuncu, hem de seyirci anlayabilsin, kendisini anlat\u0131n\u0131n i\u00e7inde hissedebilsin…
\n<\/em>
\n6- Karakter merkezli senaryo, temel karakteristik ve deneyimlerin \u00f6tesinde, b\u00fct\u00fcn\u00fcyle anla\u015f\u0131lmayan, a\u015fikar olmayan, gizemli ve \u00e7\u00f6z\u00fcmlenememi\u015f bir d\u00fcnya \u00f6nerir.
\nYoksa merak edecek ne kal\u0131r ki? En b\u00fcy\u00fck ba\u015far\u0131 seyirciye bir deneyim ya\u015fatabilmek de\u011fil midir?<\/em><\/p>\n

Yararlan\u0131lan kaynak: Andrew Horton – Writing the Character-Centered Screenplay<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

1- Karakter merkezli bir senaryoda karakter (\u00f6zellikle ana karakterler) statik ve de\u011fi\u015fmez de\u011fildir. Devaml\u0131 bir olu\u015fum – de\u011fi\u015fim i\u00e7indedir. De\u011fi\u015fken, dinamik bir karakter kendi i\u00e7indeki \u00e7ok say\u0131da sese kulak veren, kendine ait bir ge\u00e7mi\u015fi olan, ihtiya\u00e7lar\u0131, tarz\u0131, hayata bak\u0131\u015f\u0131 olan bir varl\u0131kt\u0131r. Karakterin birileri taraf\u0131ndan “yaz\u0131lm\u0131\u015f” gibi durmay\u0131p canl\u0131 kanl\u0131 olmas\u0131n\u0131n yegane yolu budur. O […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[261,42,35,36],"class_list":["post-277","post","type-post","status-publish","format-standard","hentry","category-senaryo","tag-andrew-horton","tag-karakter","tag-senaryo","tag-senaryo-yazarligi"],"_links":{"self":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=277"}],"version-history":[{"count":7,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/277\/revisions"}],"predecessor-version":[{"id":1784,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/277\/revisions\/1784"}],"wp:attachment":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}