{"id":1605,"date":"2014-06-07T23:51:07","date_gmt":"2014-06-07T20:51:07","guid":{"rendered":"http:\/\/www.gokhanyorgancigil.com\/?p=1605"},"modified":"2017-05-12T00:43:42","modified_gmt":"2017-05-11T21:43:42","slug":"frank-capra-1946","status":"publish","type":"post","link":"https:\/\/www.gokhanyorgancigil.com\/?p=1605","title":{"rendered":"Frank Capra, 1946"},"content":{"rendered":"
\"\u015eahane<\/a>
\u015eahane Hayat (1946) filminin y\u00f6netmeni Frank Capra.<\/figcaption><\/figure>\n

Frank Capra\u2019n\u0131n anla\u015f\u0131lmaz ve g\u00f6rkemli olan \u015feylere ula\u015fmaktansa apa\u00e7\u0131k olan\u0131 elde etme konusunda basit y\u00f6ntemleri vard\u0131. \u00dcstesinden gelemeyece\u011fi durumlara hi\u00e7 giri\u015fmezdi. Korkun\u00e7 bir sava\u015ftan g\u00f6r\u00fcnt\u00fcleri (Frank Capra\u2019n\u0131n \u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda \u00e7ekti\u011fi propaganda filmlerini kastediyor)<\/em><\/span> beyazperdeye getiren bu y\u00f6netmen “G\u00fcn\u00fcm\u00fcz\u00fcn b\u00fcy\u00fck problemlerini ayd\u0131nlatabilmek i\u00e7in nas\u0131l filmler \u00e7ekece\u011fimi bilmiyorum” diye ilan ediyor. “Her halukarda bu b\u00fcy\u00fck insanl\u0131k sorunlar\u0131na fazlaca dolays\u0131z yakla\u015fman\u0131n do\u011fru olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7ok \u00f6nemli g\u00f6rd\u00fc\u011f\u00fcm iki \u015feyden ilki, ki\u015finin i\u00e7inde hissetti\u011fi inanc\u0131 art\u0131rabilmek di\u011feri ise bug\u00fcnlerde \u00e7ok daha \u00f6nemli; g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131nda her yerde g\u00f6rebilece\u011finiz ateizme kar\u015f\u0131 olan y\u00f6nelimle sava\u015fmakt\u0131r. \u00dclkenizi ve nihayetinde d\u00fcnyay\u0131 iyile\u015ftirmenin yolu bireyin hayata kar\u015f\u0131 umut dolu bak\u0131\u015f\u0131n\u0131 iyile\u015ftirmektir. D\u00fcnyan\u0131n \u00e7ekti\u011fi ac\u0131lar\u0131, \u00f6dedi\u011fi bedelleri resmi ve disiplinli programlar\u0131n sonucu olarak ya\u015famak zorunda kalan insanlar\u0131n i\u00e7inde; canlan\u0131\u015f\u0131, ac\u0131lar\u0131n sonu\u00e7lar\u0131yla sava\u015fmay\u0131 yine b\u00f6yle y\u00f6ntemlerle sa\u011flayamazs\u0131n\u0131z. \u0130nsanlar\u0131 filmlerimizle \u00f6ncelikle e\u011flendirmeliyiz. Daha sonra mesaj\u0131m\u0131z\u0131, o mesaj her neyse, bireylere adeta \u015fans eseri ula\u015ft\u0131r\u0131yor gibi yapmal\u0131y\u0131z.<\/span>” diyor.<\/p>\n

Bu \u015fekilde Capra, ula\u015ft\u0131\u011f\u0131 b\u00fcy\u00fck gi\u015fe rakamlar\u0131n\u0131 da, filmlerindeki erdemlerin de sebebini ilan etmi\u015f oluyor.<\/p>\n

Edwin Schallert\u2019in 1946 y\u0131l\u0131nda, It\u2019s A Wonderful Life filminin ard\u0131ndan Frank Capra ile yapt\u0131\u011f\u0131 r\u00f6portajdan al\u0131nm\u0131\u015ft\u0131r. Frank Capra Interviews, edited by Leland Poague, sf.29-30 The University Press of Mississippi, 2004.<\/em><\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Frank Capra\u2019n\u0131n anla\u015f\u0131lmaz ve g\u00f6rkemli olan \u015feylere ula\u015fmaktansa apa\u00e7\u0131k olan\u0131 elde etme konusunda basit y\u00f6ntemleri vard\u0131. \u00dcstesinden gelemeyece\u011fi durumlara hi\u00e7 giri\u015fmezdi. Korkun\u00e7 bir sava\u015ftan g\u00f6r\u00fcnt\u00fcleri (Frank Capra\u2019n\u0131n \u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda \u00e7ekti\u011fi propaganda filmlerini kastediyor) beyazperdeye getiren bu y\u00f6netmen “G\u00fcn\u00fcm\u00fcz\u00fcn b\u00fcy\u00fck problemlerini ayd\u0131nlatabilmek i\u00e7in nas\u0131l filmler \u00e7ekece\u011fimi bilmiyorum” diye ilan ediyor. “Her halukarda bu b\u00fcy\u00fck […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[262,249],"tags":[69,158,34,79,59],"class_list":["post-1605","post","type-post","status-publish","format-standard","hentry","category-film-yapimi","category-sinema-tv","tag-en-iyiler","tag-frank-capra","tag-sinema","tag-sinema-sektoru","tag-yonetmen"],"_links":{"self":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/1605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1605"}],"version-history":[{"count":6,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/1605\/revisions"}],"predecessor-version":[{"id":1612,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=\/wp\/v2\/posts\/1605\/revisions\/1612"}],"wp:attachment":[{"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gokhanyorgancigil.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}